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About Orchestras | |||
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The core repertoire of the orchestra is based around symphonies, concertos, overtures, suites and choral works, and a great variety is on offer during any particular season.
The style of music written has changed considerably over time as the orchestra itself developed and composers have experimented with new ideas and developed the art form. Music historians have identified four main periods that each have particular characteristics: Baroque Classical Romantic There is no defining characteristic of twentieth century music apart from its pluralism. Different composers chose different experimental paths and it has left a rich and complex body of music. In Britain, the legacy of Elgar and his compatriots saw the revitalisation of composition and orchestral music. Some of the main developments are: 1) Serialism and atonalism: the old hierarchical ideas of harmony were discarded in favour of equality of each note in the chromatic scaleSome of the main composers are: Serialists: Schöenberg, Webern, Berg Early part of century: Debussy, Nielsen, Prokofiev, Ravel, Stravinsky, Shostakovich Later part of century: Adams, Berio, Boulez, Henze, Lutoslawski, Messiaen, Nono, Pärt, Schnittke, Stockhausen Some British composers: Adés, Arnold, Benjamin, Birtwistle, Britten, Macmillan, Maxwell Davies (recently appointed Master of the Queen's Music), Tavener, Tippett, Vaughan Williams, Walton, Weir. At the start of the twenty-first century, we have access to a dazzling variety of music in the concert hall and on our stereos, from back to medieval times to the rich traditions of a variety of cultures across the world. |
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